The process of 'Euclifian Fields' comes from photographing the lines in sports fields and then 'explaining' these images by geometric notatios on blackboards. The work is in fact a series, where various images are to be understood via the geometrical language. Here only one of the images and its 'explanations' are showed.
'Euclidian Fields' is a paradox in its own for it is a frustrated attempt to understand the material world by reducing it to a bidimensional synthesis that does not comprehend its totallity.
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